theatre review

Greenwich Theatre turns Shakespeare's tragedy queer with a hot cast, folk music and a set built for the heatwave.

Inside a university bedroom, one story stretches into a nightclub, a refuge and a trap, and Raphael Phillips holds every version of it together.

Four queer women, one sofa and a marriage running out of things to say, reviewed at Omnibus Theatre's 96 Festival.

Four strangers, one bathroom, and a queer musical that mostly earns its warmth.

Emily Lim turns the Globe into a communal riot of folk music, confetti and audience chaos. Puck falls for someone called Steve, and Bottom becomes a donkey in love with a queen.

Born With Teeth burns hot in London’s West End, a five-star duel of genius and desire between Shakespeare and Marlowe.